To me, lasting design only comes from equally considering the motive and the emotive.

SZ: Design is a process of connecting creative ideas, but ultimately before the creative ideas come, we always start with the questions of “why”? Why a client wants to renovate or create something new, and what is the purpose of that space? What does the owner want to ultimately pass on to the user; how do they want people to feel, to think, to act? All this is central to our process, and many others we have to admit, but ultimately we take this more seriously.

We put humans at the centre of our work. This is what drives our team — to create spaces that speak to the heart and minds of people immediately upon entering it.

And then there’s the execution… To deliver on our promise, the founders are personally involved in every project. Being a boutique studio, we make sure our time is really devoted to the projects we commit to. Our design leadership flows through the work, and helps transcend projects to the next level. This is a big differentiator from other larger consultancies we’ve previously worked for.

VZ: Our culture is grounded on the notions of balance, discipline, and being truth-seekers.

Truth-seekers
Our culture goes beyond a natural curiosity; we use our intelligence and insight to reveal the truth, the authenticity of a space. This means we are great listeners: to our clients, to each other, to the history of the place, to needs of the ultimate users. We not only give our knowledge to a project, but also learn something from every project. Staying inquisitive, staying hungry to learn more, relentlessly so, is a major part of our culture.

Balance
We’ve also discovered balance is an interesting concept to us, we see it like riding a bike; you need to have balance to move forward. Balance is more than a concept of work/life balance — it can explain everything really. For example, in a project we may want to do something very impressive, but the budget limit is too great. Some people call this sacrifice — but we call this an act of balance. Everything has its limit, and we believe that from friction creativity is born. We aim to balance the challenges and find inspiration and opportunity within that.

Discipline
All of these words of our culture connect to each other. For example, if you want a balanced life, you need self-discipline. Discipline sounds like a threatening word, and this may also seem like an oxymoron, but to us discipline equals freedom. The more disciplined we are professionally and strategically; the more efficient and trusted we become to operate more independently. That freedom, it’s not about time. It’s from your mind and deeply asking your heart: Is this the best I can do? It’s more about communicating with yourself than working to a fixed physical time. Discipline to us is an attitude to want to do better: to deliver your best work, and best work of the client’s too.

the most meaningful thing to me is human connections in every respect.

VZ: Until the age of 30-something, my life was always about adding on. Every year adding on, trying very colourful experiences and interests. But since starting Stylus Studio, it has been about subtracting. About removing the unnecessary things in my life, and focusing on what matters. It’s about making things simpler, about quality not quantity.

What I think is meaningful to me is sport, family, my love, and career — but all these things overlap now. I shouldn’t say it’s a career, as Stylus Studio is also my family, it’s my life, not just a career. Even when surfing, I’ll start thinking about work, or what I feel on a wave, may come to inspire me in my work. Maybe this is what balance is for me — it’s not about trying to separate these aspects of my life, but finding ways to blend them.

SZ: What Vincent says really echoes with me. Now we have chosen this to be our life, I can’t separate what inspires me, or is most meaningful. The most inspiring things in my life — my wife, kids, love towards my mother, the passion I have for my work — it’s very hard to put one in front of the other as all equally important.

All of what we are discussing here is very human — it’s about connections. Clients are not our family, but for that small, magical point in time, we have a personal connection to them; they trust us and we trust them. We put them first in that part of our life, and I hope they appreciate and feel that too. That’s the cherished opportunity we receive when the client puts their trust in us to work on something meaningful to them. So, in short, the most meaningful thing to me is human connections in every respect.

SZ: No matter what you do, try to have fun with it. Another mentor told me; “in life it’s not all rainbows and butterflies”. As a designer, you quite often hear the cries of “I want design freedom”, “I want to create my own style”. But before you can do that, you need to accumulate a lot of knowledge, a lot of foundational knowledge to support your ideas and creativity. Creativity doesn’t just come from your genius mind. At the end of the day, it’s a lot of practice, discipline and accumulation of hard work. So, as a young architect, designer you have to go through somewhat a painful time. No matter what you are assigned to do, no matter if you hate the style, you will always learn something from that process. And try to have fun with it. You will be a better designer once you go through that process — you will have a bigger perspective of design.

VZ: Don’t always put the latest trend in the space, without reason, and this thinking should be echoed in life. There is nothing wrong with trends, we acknowledge them, but don’t follow for the sake of it, unless it provides meaning to the project. We question, we debate. We let the project reveal the answers through our research and communication with the client. Everything begins from asking why. Don’t be afraid to think different, be different, and to question why. This is the character of our studio, and something I apply to my own life.

We don’t want to be defined by style — we want to be defined by the way we think and our ability to evolve to through our diverse projects.

SZ: We don’t have a style, but a spirit.

There are a lot of designers that are very good at one thing, they feel very comfortable in doing the same thing over and over, and they have repeat clients who choose them for that style. And there is nothing wrong with that, and I still very much admire some of those designers. But our personality is different, and we can’t force ourselves to follow such a path.

We don’t want to be defined by style — we want to be defined by the way we think and our ability to evolve to through our diverse projects. Let the project’s character, its history, and its future purpose define the solution, not an ambitious designer focused purely on developing a personal style.

We see ourselves as only the conduits, the stylus, to materialise the space. Even though you may give me a clear brief, we are motivated to understand more. That research process provides the impetus to realise a completely unique project.

SZ: This name reflects our thinking — the way we work. Stylus has a few meanings, but ultimately it’s an instrument. Firstly the Romans were using the stylus to record things on waxed slate. The name was then applied to the hard point that follows a groove in a vinyl record and plays back the recorded sound. Now, in modern times, it’s the pen used to input handwriting directly into a computer. But disregarding the period of time and technology changing, the meaning is to decode or record something meaningful: great ideas, beautiful music, etc.  

And this is true to Stylus; we want to materialise the meaningful.

We are the stylus for our clients to craft something remarkable, something memorable and touching, in the history of design.